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Figure 1

From: Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt

Figure 1

(a) Color image of the Fayum painting “Portrait of a woman”, c. 2nd century AD, accession number 1956.12.1, gift of Lewis Einstein, in the collection of the National Gallery of Art, Washington DC, depicting a female figure from a noble family as conveyed by the hairstyle and jewelry (dimensions: 34.6 × 11.5 cm). Courtesy National Gallery of Art, Washington; (b) Detail of the painting, illustrating different application methods of the heated wax-based paint resulting in distinct surface topography, most likely using three different tools as described by Pliny11: a fine painter’s brush or penicillus (1), a cauterium (a metal spoon or hollowed spatula) (2), and a cestrum (a type of engraver) (3).

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